Solomon’s Masonic Learning
The March SML presentation focuses on the Masonic apron and how it has changed over the last 250 years. It will feature many historical images of American aprons and conclude with a question and answer session with Guest speaker and presenter, Worshipful Brother Patrick Craddock.
Contact the Education Committee Chairman for all password protected sessions at: SML@solomon822.com
10 March 2022
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Guest Speaker
March Presentation Overview
The March SML presentation focuses on the Masonic apron and how it has changed over the last 250 years. It will feature many historical images of American aprons and conclude with a question and answer session with Guest speaker and presenter, Worshipful Brother Patrick Craddock.
WB Craddock is a noted expert on Masonic aprons and regalia, author and historian, who is also the Past Master of Conlegium Ritus Austeri No. 779, Nashville, Tennessee and owner of The Craftsman’s Apron (www.craftsmansapron.com). WB Craddock credentials include a Master of Arts degree from Middle Tennessee State Univ., ’92 and a Master of Philosophy from University of Wales - Aberystwyth, ‘01 in history. He is a contributing author to the Encyclopedia of Tennessee History, C.Van West, ed., as well as a past-curator of exhibits at the Carter House Museum, Franklin, TN. WB Craddock was Initiated, Passed, and Raised in O.D.Smith Lodge No. 33, Oxford, Mississippi, and is a Charter Member of Conlegium Ritus Austeri No. 779, Nashville, Tennessee.
Masonic Education
For those who know me, you may have guessed, the Apron Lecture from the Entered Apprentice Degree is by far my favorite lecture. While there are many symbolically important aspects of every degree of Masonry, I feel the Apron Lecture provides newly initiated Brethren with a sense of reverence for the journey they are about to embark as a Freemason. The lecture combined with the apron presentation bestows the initiate Brother with a lambskin or white leather apron which is explained to be of greater importance than any other item he can have bestowed upon him in his life.
Our apron serves us throughout our Masonic life and is deposited upon the coffin which will enclose our lifeless remains. As the presenter, I feel an enormous sense of honor to be the only person to have bestowed that which will never again be received from mortal hands. To confer an item so emblematical of purity and all perfection, an item that will never again be bestowed upon that Brother until his enfranchised spirit shall have passed upward and inward and through the pearly gates is in a sense, a rejuvenating energy for my own journey.
It is always my hope that I adequately instill a strong sense of importance in a newly initiated Brother Mason that he may recognize how the pure and spotless surface of the Lambskin should always be to them an ever present reminder of a purity of life and rectitude of conduct. How that sense of understanding may help them to always engage in a never ending argument for nobler deeds, for higher thoughts, and for greater achievements. Then, if that newly initiated Brother accepts these words for what they are, I will have helped him to begin his journey which will ultimately allow him to better himself and eventually hear the One who sitteth as the Judge Supreme the welcome words: “Well done, good and faithful servant, enter thou into the joy of thy Lord”. - Bro. Cameron Jay Davis
The Masonic Apron
Emblems of Innocence and Honor: The Masonic Apron
Described as a Mason's "badge" and an emblem of innocence, the apron provides a link to Freemasonry's historical roots. This video documentary short, produced by the Masonic Grand Lodge of California and the Henry Wilson Coil Library and Museum of Freemasonry, offers new insight into one of Masonry's most treasured ritual garments. MasonsofCA, October 12, 2014, (video source)_______________________________________The Masonic Apron, Masonic Short Talk Bulletin, Vol. 5 Nov 1927 NO. 11
Presented by V.W Bro. Norman McEvoy, February 19, 2016In Masonic symbolism the Lambskin Apron holds precedence. It is the initial gift of Freemasonry to a candidate, and at the end of life’s pilgrimage it is reverently placed on his mortal remains and buried with his body in the grave.
Above all other symbols, the Lambskin Apron is the distinguishing badge of a Mason. It is celebrated in poetry and prose and has been the subject of much fanciful speculation. Some Masonic writers have contended that initiation is analogous to birth, or our advent from prenatal darkness into the light of human fellowship, moral truth and spiritual faith.
Much ancient lore has been adduced in an effort to show that the Lambskin Apron typifies regeneration, or a new life, and this thought of resurrection may be the cause of its interment with the body of a deceased brother. At least it will serve until a better reason is advanced for this peculiar custom in the Masonic burial service. The association of the lamb with redemption and being born again is expressed by John, the Apocalyptic Seer, who had a vision on the Isle of Patmos, and beheld the purified and redeemed “of all nations, and kindreds, and people and tongues,” Of them it was said, “These are they which came out of great tribulation and have washed their robes and made them white in the blood of the Lamb.”
It has been regarded by many as a great religious symbol. In our present conception there are three parts of man, body, soul/mind and spirit; what the body is to the soul, the soul is to the spirit, namely, a house or habitation, but in oriental thought there were seven parts of man, four earthly and three heavenly, four physical and three spiritual. The four sides of the square symbolized the four physical and the three sides of the flap, or triangle, symbolized the three spiritual parts of man. The apes of the triangle or point of the flap stood for the seventh part of man which was called Atma and which means the eternal spark, the divine flame, the indestructible spirit of the living God in every human being. In this aspect it means that God is not a looker- on at the life of anyone. God is under every man and God is part of every man.
A badge is either good or bad by reason of that for which it stands. Aside from mysticism, I believe there are five distinct things of which the Lambskin Apron is a badge.
Firstly, in its use, it is a badge of service. In his recent book on “Symbolical Masonry,” Brother H. L. Haywood has an interesting chapter on “The Apron wherein the Builder builds,” and says it “was so conspicuous a portion of the costume of the Operative Mason that it became associated with him in the public mind and thus gradually evolved into his badge.” By it Speculative Freemasonry seeks to distinguish the builder and place upon the brow of labour the laurel wreath of dignity and honour.
Secondly, made of Lambskin, it is in its fabric a badge of sacrifice. The Lamb in all ages has been not only an emblem of innocence, but also a symbol of sacrifice, and he who wears this Apron with understanding must be prepared for the time when hard things are to be done when trials are to be endured, and fortitude glorified.
Thirdly, in its colour it is a badge of purity. White is the clean colour that reflects most light.
In Masonry there are three great religious rites. One is discalceation, that is, entering a holy place or standing in the presence of God barefooted as a symbol of humility. It comes from a time when God appeared to Moses in the burning bush, he said, “Put off thy shoes from off they feet for the place whereon thou standest is holy ground.”
Another is the rite of circumambulation, that is, going around an altar from east to west by way of the south. Dr. Joseph Fort Newton said: “When man emerged from the night of barbarism his religion was a worship of light; to him light was life and love, darkness was evil and death; to him light was the mother of beauty, the un-veiler of colour, the radiant, illusive mystery of the world; his temple was hung with stars, his altar a glowing flame, his ritual a woven hymn of night and day.” To him the Sun was the greatest of God’s creations, it inspired his adoration and in all his religious ceremonies he followed its apparent course through the heavens, as though he were walking in the footsteps of the Most High. Through this rite, memories of that religion of the dawn linger with us in Masonry today.
The third is the rite of investiture or purification; that is, the presentation of the Apron. In a qualified way it bears the relationship to the lodge that baptism does to some churches, it is the external symbol of an inner purification. The Psalmist asked: “Who shall ascend into the hill of the Lord?” and answering his own question said, “He that hath clean hands and a pure heart.” The Apron when correctly understood is the pledge of a clean life, the testimony that a candidate means to live pure, speak true, right wrong, and reverence conscience as king.
When we turn to the Ritual for its interpretation, we find the Apron to be an inheritance from the past, and so, in the fourth place, it is a badge of antiquity, “more ancient than the Golden Fleece and Roman Eagle.” A ministerial brother once said that the Masonic Ritual was couched in stilted phrases and extravagant language, and as an illustration referred to the ritualistic speech used in the presentation of the Apron. Let us see if he was right. The most specific way of conveying thought and expressing truth is by comparison. It is difficult to comprehend an idea unless we can correlate and compare it with something already known. The Order of Golden Fleece here referred to was founded in the year 1492 by Philip, Duke of Burgundy; the Roman Eagle became Rome’s ensign of imperial power about one century before the Christian era, while the Apron has come down to us from the very sunrise of time. “Hebrew Prophets often wore Aprons,” they were used in the ancient mysteries of India and Egypt, they were used by early Chinese secret societies, by the Jewish religious sect called Essenes, they were employed as emblems by the Incas of Peru, the Aztecs of Mexico, and the prehistoric races of the American continent.
As a badge of antiquity, it emphasizes the value of the past. Blackstone, in his commentaries on the English law, said that in the making of a new law three things must be considered, namely, the old law, the mischief, and the remedy. No man can apply an intelligent remedy to an existing mischief without regard to the antecedent conditions out of which it grew. Present progress must be based on the accumulated experience and wisdom of the ages. Albert Pike said, “It is the dead who govern, the living only obey.” “Every ship that comes to ‘America got its chart from Columbus, every novel is debtor to Homer, every carpenter who shaves with a foreplane borrows the genius of some forgotten inventor.”
As a badge of antiquity the Apron exalts the greatness and glory of the past in its present contribution to human good and happiness.
In the fifth place, the Apron is a badge of honour. It is declared to be “More honourable than the Star and Garter.” Here we have another comparison. The Order of the Star was created by John II of France at the beginning of his reign in the middle of the 14th Century. It was a royal plaything and at the time of its formation its founder was engaged in acts of despotism and destruction.
The Order of the Garter was formed by Edward III of England in 1349. It was composed of the king and twenty-five knights and originated in the false pride and fantastic pomp of medieval manners. Edward A. Freeman, an English historian, says: “The spirit of knighthood is above all things a class spirit. The good knight is bound to endless courtesies toward men and women of a certain rank; he may treat all below that rank with any degree of scorn and cruelty.” “Chivalry is in morals what feudalism is in law. Each substitutes personal obligations devised in the interest of an exclusive class, for the more homely duties of an honest man and a good citizen.”
Freemasonry is in striking contrast to such conceptions. It stands for the removal of discord and dissension, for the promotion of peace, the pursuit of knowledge and the practice of brotherhood, for clear conscience, equality of opportunity and the divine right of liberty in man, for devotion to duty, the building of character and rectitude of life and conduct. Its symbolical supports are wisdom, strength and beauty; the principal rounds of its theological ladder faith, hope, and charity. Its primary tenets are brotherly love, relief and truth; its cardinal virtues are fortitude, temperance, prudence and justice. Its temple is erected to the Master Builder, its Great Light is the Word of Revelation and at its centre is an Altar of high and holy purpose. Like the shadow of a rock in a weary land, like a shining light in the window of a home, like a mother’s kiss on a troubled brow and the breath of her prayer in the hour of despair, is the spirit of Freemasonry, calling man from the circumference of life to find God at the centre of the individual soul.
When we consider the messages delivered by these Orders and the Lambskin Apron – one speaking the language of class distinction, special privilege and the divine right of kings; the other telling the story of exact justice, equality of opportunity, and the brotherhood of man – it is not a stilted phrase and an exaggeration of speech to say that the badge of a Mason is more honourable than the Star and Garter.
As a badge of honour, the Lambskin Apron spells out integrity, honesty of purpose, probity of character, and soundness of moral principle. Therefore the Lambskin Apron is worthy of us, and we have to be worthy of it.
Brother George Washington's Masonic Apron
The name of George Washington claims a place in our American Masonic history. As the "Father of our Country" he is a source of pride to every American Freemason and we are proud to call him a "Brother" in our time-honored Fraternity. He was "raised" to the sublime degree of a Master Mason in Lodge #4 of Fredericksburg, Virginia on August 4th, 1753. On December 20th, 1788 Brother Washington was elected the first Worshipful Master of Alexandria Lodge #22.
It was during the Revolutionary War that the young Marquis de Lafayette came to America from France and joined General George Washington's army for the Battle of Brandywine in 1777. The affection each man held for each other as Friends and Brothers was legend. The American cause had become Lafayette's cause. The legacy that developed through this affection led to the presentation of a special Masonic Apron at Mt. Vernon in August of 1784. It was made of white satin and hand-embroidered by Madame Lafayette.
This apron has become a study in symbolism. Symbols are silent emblems having meaning only when interpreted and given the unique character of the interpretation process, it is also understood that no symbol has an absolute meaning. For example, the apron border colors of red, white and blue are the National Colors of both the United States and France, and the colors of our National Flag. In Masonry the color red is a symbol of courage, white for innocence, and blue for fidelity. The "Lambskin" or white leather apron is itself an emblem of innocence and the badge of a Mason, more ancient than the Golden Fleece or Roman Eagle, more honorable than the Star and Garter, or any other order that could be conferred upon me, at this or any future period by king, prince, potentate, or any other person, except he be a Mason. It was hoped that I would wear it with pleasure to myself and honor to the Fraternity.
The "All-Seeing Eye" is a symbol of watchfulness and the eye of the Grand Architect. It is the symbol of his Divine watchfulness and care of the Universe. The All-Seeing Eye, whom the Sun, Moon, and Stars obey, and under whose watchful care even comets perform their stupendous revolutions, pervades the inmost recesses of the human heart, and will reward us according to our merits. The "Rays" represent "Light". Freemasons are emphatically called "The Sons of Light" because they are entitled to be in possession of the true meaning and knowledge of this symbol. It is in fact the first of all symbols presented to the initiate, and continues to be presented to him in various forms throughout his Masonic career. But as Light not only came from God, it also makes mans way clear before him, so it is employed to signify moral truth. The "Dove" in early Masonry is a symbol of Noah's messenger. In ancient symbolism, the Dove represented purity and innocence and was often seen bearing an olive branch.
The constellation of "Seven Six-pointed Stars" in Masonry represents the Seven Liberal Arts and Sciences: They are Grammar, Rhetoric, Logic, Arithmetic, Geometry, Music and Astronomy. The Six-pointed Star symbolizes Divine Providence and is the Star of David or Shield of David. This starry-decked heaven is where all good Masons hope at last to arrive by aid of that "Theological Ladder" which Jacob in his vision saw extending from Earth to Heaven, the principal rounds of which are denominated Faith, Hope and Charity, which admonish us to have Faith in God, Hope in Immortality, and Charity toward all Mankind. The greatest of these is Charity; for our faith may be lost in sight, hope ends in fruition, but Charity extends beyond the grave, through the boundless realms of eternity!
The "Sun" as the source of material light reminds the Mason of that intellectual light of which he is in constant search. The Worshipful Master who rules and governs his Lodge is said to be the symbol of the rising sun in the east. The sun, therefore is the symbol of sovereignty, the hieroglyphic of royalty; and signifies absolute authority. As the sun rules the day, so does the moon govern the night; as the sun regulates our years, so does the moon mark the passing months. These symbols in Masonry are known as the "Lesser Lights".
The "Three Great Lights" in Masonry are the Holy Bible, Square and Compasses. The Holy Bible is dedicated to the service of God because it is the inestimable gift of God to man, and on it we obligate our Brethren. The "Square" to the Worshipful Master because it is the proper Masonic emblem of his office, and the "Compasses" to the Craft because by a due attention to their use we are taught to circumscribe our desires and keep our passions within due bounds toward all mankind, especially a Brother Mason.
Here are the "Pillars of the Porch" of King Solomon's Temple... King Solomon did not simply erect them as ornaments to the temple, but memorials of God's repeated promises of support to His people of Israel. Boaz, the name of the left pillar means "in strength", the right pillar Jachin means "God will establish", which signifies when combined, the message "In strength, God will establish His house in Israel". And thus were the Jews, in passing through the porch to the temple, daily reminded of the abundant promises of God, and inspired with confidence in His protection and gratitude for His many acts of kindness to His chosen people. The globe on the left pillar represents "Earth", that on the right, "Heaven".
The outer pillars of the temple are called the "Pillars of Enoch". Enoch, fearing that the principles of the Arts and Sciences might be lost, erected two pillars, the one of marble to withstand fire, the other of brass to resist water. On each he engraved all the knowledge which he feared would be lost. The globes are symbols of unity, peace and plenty. These pillars also support the "Rainbow" which is sometimes associated with the Holy Royal Arch. It is also called the "Arch of Heaven", symbolic of the architectural arch.
The "Mosaic Pavement" is a representation of the ground floor of King Solomon's Temple. The Mosaic Pavement is emblematical of human life checked with good and evil. The "Blazing Star" reminds us of that awe inspiring period when the Almighty delivered the two tablets on stone, containing the Ten Commandments, to His faithful servant Moses on Mt. Sinai; when the rays of His divine glory shone so bright that none could behold it without fear and trembling. It also represents the sacred name of God, as a universal spirit who enlivens our hearts, who purifies our reason, who increases our knowledge, and who makes us wiser and better men.
The "Ark" is emblematical of the Divine Ark which carries us over this tempest-tossed life. It is sometimes shown with the "Anchor", an emblem of a well-grounded hope and a well-spent life. With hope, the anchor holds the soul sure and steadfast.
The "Square within Bounds" is a symbol formed by four stonemason's squares of equal arms superimposed one on the other to form a central cube. The square and cube are both significant symbols. The square is an emblem of morality, or the strict performance of every duty. The square teaches us to regulate our conduct before God and man. The cube is a symbol of truth, wisdom, and moral perfection.
The "Forty-Seventh Problem of Euclid's" first book of Geometry contained a mathematical theorem so complex that when Pythagoras solved the problem he exclaimed; "Eureka" which signifies "I have found it"! It has been adopted as a symbol of a Past Master. It teaches Masons to be general lovers of the arts and sciences.
The "Working Tools" of an Entered Apprentice Mason are the twenty-four inch gauge and common gavel. The "Twenty-four Inch Gauge" is an instrument made use of by Operative Masons to measure and lay-out their work, but we, as Free and Accepted Masons, are taught to use it for the more noble and glorious purpose of dividing our time. It being divided into twenty-four equal parts, is emblematical of the twenty-four hours of the day, which we are taught to divide into three equal parts, whereby are found eight hours for the service of God and a distressed worthy Brother, eight for our usual vocations, and eight for refreshment and sleep.
The "Common Gavel" is an instrument made use of by operative Masons to break off the corners of rough stones, the better to fit them for the builder's use, but we as Free and Accepted Masons, are taught to use it for the more noble and glorious purpose of divesting our hearts and consciences of the vices and superfluities of life, thereby fitting our minds as living stones for that spiritual building - that house not made with hands - eternal in the heavens.
The "Plumb" is an instrument made use of by operative Masons to try perpendiculars, the "Square" to square their work, and the "Level" to prove
horizontals, but we, as Free and Accepted Masons are taught to use them for more noble and glorious purposes. The "Plumb" admonishes us to walk uprightly in our several stations before God and man, squaring our actions by the Square of Virtue, ever remembering that we are traveling upon the Level of Time, toward "that undiscovered country from whose bourne no traveler returns."
The "Trowel" is an instrument made use of by operative Masons to spread the cement which unites the building into one common mass; but we as Free and Accepted Masons, are taught to use it for the more noble and glorious purpose of spreading the cement of brotherly love and affection; that cement which unites us into one sacred band, or society of friends and brothers, among whom no contention should ever exist, but that noble contention, or rather emulation, of who best can work and best agree.
The "Setting Maul", in operative Masonry is used for setting stones, that is, tapping them to a firm seat in the mortar by urging them sideways into place. It is considered by some to be a symbol of untimely death.
The "Coffin" containing the remains of a deceased friend and Brother reminds Masons that we are the custodians of a great heritage passed along to us in the story of the "Hiramic Legend".
The "Sprig of Acacia" is the symbol of the immortality of the soul; as the flower, which "cometh forth and is cut down", reminds us of the transitory nature of human life.
The "Beehive" is an emblem of industry. It teaches us that we came into this world rational and intelligent beings, so should we be industrious ones.
The "Sword Pointing to a Naked Heart" demonstrates that Justice will sooner or later overtake us, and that although our thoughts, words and actions may be hidden from the eyes of man, they are not hidden to the All-Seeing Eye.
The "Tassel" consists of a cord with tassels on the end. It represents the "Mystic Tie"; that bond which unites men of diverse opinions into one sacred band of Friends and Brothers.
In closing, the ceremonies and lectures in Symbolic Masonry beautifully illustrate this all-engrossing subject; and the conclusion we arrive at is... that youth, properly directed, leads us to honorable and virtuous maturity, and that the life of man, regulated by morality, faith and justice, will be rewarded at its final hour by the prospect of eternal bliss, and he who has received from his Master this approving language... "Well done, good and faithful servant; thou has been faithful over a few things, I will make thee ruler over many things; enter thou into the joys of thy Lord".
Reference
"Encyclopedia of Freemasonry" by Albert G. Mackey, MD, 33 Degree. Revised Edition under William J. Hughan, 32 Degree and Edward L. Hawkins, MA, 30 Degree. Volumes No. 1 & 2 Published by The Masonic History Company, New York & London, 1917.
"The Florida Masonic Monitor", Twenty-third Edition, Prepared by the Committee on Work, GL #214, 1992. James W. Creecy, Chairman.
"The Grand Lodge of Pennsylvania Poster" reprinted January 1985 by Museum Curator and Librarian Bro. Frank W. Bobb titled "Bro. George Washington's Apron" as presented by the Marquis de Lafayette at Mt. Vernon in August of 1784.
Acknowledgements
Hon. Frank W. Bobb, Jr., Curator, Masonic Library and Museum of Pennsylvania, One North Broad Street, Philadelphia, PA. 19107-2520
David J. Lettelier, President, Phoenixmasonry, Inc.
Brother George Washington's Masonic Apron on display at the Grand Lodge of Pennsylvania in Philadelphia
On October 26, 1816, the legatees of the Washington estate presented a Masonic apron to the Washington Benevolent Society of Pennsylvania. A short note, currently framed with the apron, was presented, reading:
To the Washington Benevolent Society. The Legatees of GEN. WASHINGTON, impressed with the most profound sentiments of respect for the noble institution which they have the honor to address, beg leave to present to them the enclosed relick (sic) of the revered & lamented “Father of His Country.” They are persuaded that the Apron, which was once possessed by the Man, whom the Philadelphians always delighted to honor, will be considered most precious to the Society distinguished by his name, and by the benevolent, and grateful feelings to which it owes its foundation. That this perishable memento of a Hero whose Fame is more durable than Brass” (sic) may confer as much pleasure upon those to whom it is presented, as is experienced by the Donors, Is the sincere wish of the Legatees. October 26th, 1816.
In 1829, the Washington Benevolent Society decided to donate the apron to the Grand Lodge of Pennsylvania. Recorded in the proceedings of the Quarterly Grand Communication, dated Monday, December 7th, is the following:
A communication was received and read from the Washington Benevolent Society of Pennsylvania, dated the 3d July, 1829, accompanied by the Masonic Apron of our deceased Brother George Washington which had been presented to that Society by his Legatees, Viz:
“At a stated meeting of the Washington Benevolent Society of Penna. held on the 3d day of July, 1829. It was resolved that the Masonic Apron of General Washington be deposited with the Grand Lodge of Pennsylvania, provided that the creditors agree to this disposition of it.” Signed. GEORGE HEYL, Asst. Secretary.
On Motion and Seconded, Resolved, That Brothers Josiah Randall, James Harper and John K. Kane, be a committee to acknowledge the receipt of the above and in conjunction with the Hall Committee, to place Washington’s Apron in a suitable and conspicuous situation in the Grand Lodge Room.
The apron has been in the possession of the Grand Lodge of Pennsylvania ever since and is a prized piece of both American and Masonic history. In the past year, a team of conservators has worked on the apron and its accessories, such as the frame, reverse glass matting, and the note from the legatees of the Washington estate, in an effort to stabilize and preserve these delicate items. A new display case has also been constructed, utilizing the most current and up-to-date methods and materials in order to protect and exhibit the apron. The Masonic Library and Museum of Pennsylvania is grateful to the conservators who worked on this project and to the Independence Foundation for providing the preservation funds necessary to undertake such an endeavor.
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